Adobe Camera Raw 6.7RC

Adobe Labs has released Adobe Camera Raw version 6.7 RC on March 5th (release candidate – the final step before production and one step past beta) to accommodate several newer digital cameras and lens profiles. This is an Adobe Labs beta product so there can be some issues but for someone who’s just purchased a new camera without current Adobe Camera Raw support, you may want to give it a try. Rest assured though a full tested version will be released soon. If you’d like to try the beta software visit the Adobe Labs Camera Raw page for this download. Please feel free to offer you feedback on this beta product by using the link from the Adobe Labs Camera Raw page listed above. ACR 6.7 RC was recently released and will expire when the official version in released.

*Note – Lightroom 4 ships with a brand new Camera Raw version 7 so there is no need to update Lightroom 4. ACR 7 will be available later in the year.

Here’s the list of newly supported cameras.

  • Canon EOS 1D X
  • Canon EOS 5D Mk III
  • Canon PowerShot G1 X
  • Canon PowerShot S100V
  • Fuji FinePix F505EXR
  • Fuji FinePix F605EXR
  • Fuji FinePix HS30EXR
  • Fuji FinePix HS33EXR
  • Fuji FinePix X-S1
  • Nikon D4
  • Nikon D800
  • Nikon D800E

Additional Lens Profiles added

Lens Mount Lens Name
Canon Tokina AT-X 124 AF PRO DX 12-24mm f/4 (IF)
Canon Tokina AT-X 124 AF PRO DX II 12-24mm f/4 (IF)
Canon Tokina AT-X 165 PRO DX 16-50mm f/2.8 (IF) ASPHERICAL
Canon Tokina AT-X 535 PRO DX  50-135mm f/2.8 (IF)
Canon Tokina AT-X M35 PRO DX 35mm f/2.8 Macro
Canon Tokina AT-X M100 AF PRO D 100mm f/2.8 Macro
Canon Tokina AT-X 116 PRO DX 11-16mm f/2.8
Nikon Tokina AT-X 124 AF PRO DX 12-24mm f/4 (IF)
Nikon Tokina AT-X 124 AF PRO DX II 12-24mm f/4 (IF)
Nikon Tokina AT-X 165 PRO DX 16-50mm f/2.8 (IF) ASPHERICAL
Nikon Tokina AT-X 535 PRO DX  50-135mm f/2.8 (IF)
Nikon Tokina AT-X M35 PRO DX 35mm f/2.8 Macro
Nikon Tokina AT-X M100 AF PRO D 100mm f/2.8 Macro
Nikon Tokina AT-X 116 PRO DX 11-16mm f/2.8
Nikon Nikon AF-S NIKKOR 85mm f/1.8G
Nikon Sigma 18-200mm F3.5-6.3 II DC OS HSM
Leica LEICA APO-SUMMICRON-M 75 mm f/2 ASPH.
Leica LEICA APO-SUMMICRON-M 90 mm f/2 ASPH.
Leica LEICA APO-TELYT-M 135 mm f/3.4 ASPH.
Leica LEICA ELMAR-M 24 mm f/3.8 ASPH.
Leica LEICA ELMARIT-M 28 mm f/2.8 ASPH.
Leica LEICA ELMARIT-M 90 mm f/2.8
Leica LEICA MACRO-ELMAR-M 90 mm f/4
Leica LEICA NOCTILUX-M 50 mm f/0.95 ASPH.
Leica LEICA SUMMARIT-M 35 mm f/2.5
Leica LEICA SUMMARIT-M 50 mm f/2.5
Leica LEICA SUMMARIT-M 75 mm f/2.5
Leica LEICA SUMMARIT-M 90 mm f/2.5
Leica LEICA SUMMICRON-M 28 mm f/2 ASPH.
Leica LEICA SUMMICRON-M 35 mm f/2 ASPH.
Leica LEICA SUMMICRON-M 50 mm f/2
Leica LEICA SUMMILUX-M 21 mm f/1.4 ASPH.
Leica LEICA SUMMILUX-M 24 mm f/1.4 ASPH.
Leica LEICA SUMMILUX-M 35 mm f/1.4 ASPH.
Leica LEICA SUMMILUX-M 50 mm f/1.4 ASPH.
Leica LEICA SUPER-ELMAR-M 18 mm f/3.8 ASPH.
Leica LEICA SUPER-ELMAR-M 21 mm f/3.4 ASPH.
Pentax Sigma 17-50mm F2.8 EX DC HSM
Pentax Sigma 50-200mm F4-5.6 DC HSM
Sony Tokina AT-X 116 PRO DX 11-16mm f/2.8
Sony Tamron 18-200mm F/3.5-6.3 Di III VC B011
Sony Sigma 17-50mm F2.8 EX DC HSM
Sony Sigma 50-200mm F4-5.6 DC HSM
Sigma Sigma 18-200mm F3.5-6.3 II DC OS HSM

 

Print IT!

Here’s the simple math on “megapixels”

3 will make an outstanding 8 x 10 print

6 to crop deep inside a Jpeg for making an outstanding 8 x 10 print

Jpegs from a 2 megapixel camera average 1 MB

Jpegs from a 12 megapixel camera can be over 10 MB

Pictures posted on Facebook are no more than 150 KB (unless you choose the high resolution slower option)

Eye-popping photography does not jump off the wall until it is printed! 🙂

Printed Anne – Nikon D300, DX 85mm Micro-Nikkor VR f/3.5 lens (great for portraits too!), ISO 800, f/8 at 1/30 sec, 8.62 MB Jpeg ‘Fine’ cropped in Photoshop to 8″ x 10″ at 300dpi (5.02 MB)

Full-Frame Anne – Nikon D700, Nikkor VR 28-300mm G f/3.5-5.6 lens, ISO 800, f/8 at 1/10 sec, 9.06 MB Jpeg ‘Fine’ re-sized in Photoshop 720px x 478px at 72dpi (133 KB) for this electronic conversation

Upcoming Photo Excursions

Additional information is available by clicking on any trip name listed below.

Lakota Wolf Preserve in Columbia, NJ – Sunday, March 18, 2012
Price: $275 with registration required. Register
Our friends from Tamron will be joining us for this event. They will have an assortment of Tamron lenses to borrow and try during the trip.

Eastern State Penitentiary – Sunday, April 29, 2012
Early bird pricing through March 10 $129.99 – After March 10: $159.99  Register

Eastern State Penitentiary

Bronx Zoo Sunday May 20, 2012
Early bird pricing through April 28, 2012 $99.99 – After April 28: $129.99 Register

Bronx Zoo Trip

New York Botanical Gardens Bronx, NY – Sunday, June 10, 2012
Early bird pricing through May 19, 2012 $99.99 – After May 19: $129.99 with registration required.  Register

Register Now

 

Free Saturday Focus Sessions – March – May

Focus sessions are free and take place in the Westwood store from 9:30 am – 10 am and our Englewood location from 10:30 am – 11:00 am. All sessions will allow for questions and answers. Please bring your camera and any images along that you have questions about.

Hit the “Like Button” to let your friends know. Have suggestions for future focus sessions? Feel free to leave a comment.

Here’s our upcoming Focus Sessions:

February 18th – Getting Started with Photo Books

February 25th – Tripods and Monopods

March 3rd – What’s in Your Camera Bag

Read more

Ladies Night with Bergen County Camera

Bergen County Camera’s own Tom Gramegna and Paul Carretta were ‘featured speakers’ at the Cresskill Woman’s Club and River Edge Woman’s Blub, respectively, on January 17th. Included in their presentations were state-of-the-art digital SLR cameras and digital point-and-shoot cameras for the ladies to ‘test drive’, as well as samples of Bergen County Camera’s outstanding photo restoration and printing.

Carry bags for the attendees where provided by Tamron Lenses and Vanguard Tripods, respectively, as were digital photography ‘how-to’ books passed out by Tom and Paul. Having provided photography sales and services to Bergen County for over 30 years, Paul and Tom were greeted by some attendees who were long time customers of Bergen County Camera. And of course, the ladies provided plenty of cakes, cookies, coffee and punch!

Thanks to the Cresskill Woman’s Club and the River Edge Woman’s for inviting Tom and Paul to share Bergen County Camera’s passion of photography with the community!

Photos: “Ladies Night” with Tom Gramegna at the Cresskill Woman’s Club

 

Olympus E-M5

Olympus OM-D

We are now accepting deposit free pre-orders via email or phone 201-664-4113. The E-M5 will be available in several configuaration body only priced at $999.95 in silver and black. Three camera and lens choices will be available, a black E-M5 with  14 – 42mm lens priced at $1,099.99 and a Silver or Black E-M5 with 12 – 50mm lens priced at $1,299.99. We’re here for any questions you may have.

THE BEGINNING OF THE NEW

A new era in digital SLR technology is about to begin.  Up to now, digital SLRs simply replaced film with an electronic imaging device, which did not significantly change the products in terms of size, weight and user interface.  The new, revolutionary mirrorless camera, the OM-D E-M5, has an exceptionally light and compact body. Its Electronic View Finder enables photographers to check exposure levels, white balance and preview Art Filter effects in real-time.  When shooting, the photographer can instantly “create” a truly unique world and preserve it in exceptional quality.  The “world” will be transformed from something you see to something you “take part” in.

The OM-D is a groundbreaking, new digital interchangeable lens camera perfect for people who want to “take part”, “create”, and “share”.

ELECTRONIC VIEWFINDER

Olympus E-M5 viewfinder

The OM-D’s new electronic viewfinder (EVF) features a high-resolution 1.44-million dot LCD, 100% field-of-view coverage, and 1.15x maximum magnification that let you totally immerse yourself in your subject, and actively control image creation. The EVF also enables you to enlarge the focus point for precision focusing in virtually any shooting situation, and can show you the effect of Highlight & Shadow Control, White Balance, Exposure Compensation, Aspect Ratio, and a host of other settings and advanced digital image processing functions right in the viewfinder. With improved precision and responsiveness that make it as easy to use as an optical viewfinder, the OM-D’s advanced EVF gives you virtually unlimited creative control.

HIGH IMAGE QUALITY (samples below)


Three key factors contribute to the OM-D’s unprecedented image quality: a wide lineup of M.ZUIKO DIGITAL lenses for sharp, clear subject capture, a new 16-megapixel Live MOS image sensor for rich tonal expression, and an advanced TruePic VI image processor for superb color fidelity. The optimal balance of these factors ensures the high resolution, sensitivity, and color accuracy you need to brilliantly capture the world around you.

FAST AF

The world’s fastest* AF system, FAST AF, has been made even faster and more accurate on the OM-D. Improved new 3D Tracking AF assures you won’t miss the moment even when subjects move toward or away from you, and the new high-sensitivity image sensor ensures superior AF performance even in dim light.

* Among digital cameras with interchangeable lenses available as of February 8, 2012, when using the OLYMPUS M. ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with the E-M5, based on Olympus in-house measurement conditions.

9.2 FPS HIGH-SPEED SEQUENTIAL SHOOTING

Thanks to the new 16-megapixel Live MOS image sensor’s high-speed read-out performance, the OM-D offers maximum sequential shooting at 9.2 fps, making it easy to capture sports action or fast-moving subjects such as pets and wildlife. In addition, a compact new high-speed shutter mechanism enables the OM-D to offer this performance without compromising the handling advantages of a light and compact body.

5AXIS IMAGE STABILIZATION

The OM-D is equipped with the world’s first 5-axis image stabilization system, and can compensate for vertical, horizontal, and rotational camera shake that conventional 2-axis systems of the past have been unable to handle. Built into the camera body to ensure effective stabilization with all lenses, its unique 5-axis design makes it particularly effective when taking high-magnification telephoto shots, macro close-ups, and long exposures. In addition, it can be activated by pressing the shutter button halfway, so you can also use it to stabilize the viewfinder image and obtain a crisp, clear view of your subject that makes it easy to frame and compose your shots.

Sensor unit with new 5-AXIS IS

The new 5-AXIS IS can compensate for five different types of movement:

1) pitching, 2) yawing, 3) horizontal movement, 4) vertical movement, and 5) rotational movement around the optical axis. As a result, it can compensate for types of camera shake that conventional 2-axis systems cannot, such as horizontal/vertical shake during macro shooting, rotational shake during long exposure shooting, and the low-frequency shake caused by walking or breathing during movie recording.

DUSTPROOF & SPLASHPROOF CONSTRUCTION

Trouble-free shooting in all environments is assured by our proven dust-proof and splash-proof technology. Multiple ring-shaped seals protect the camera from sand, dust, rain, and water spray, making it ideal for all kinds of outdoor shooting. What’s more, the OM-D extends this protection to the M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens, the bundled detachable flash unit, and the optional grip and power battery holder.

TILTING 3-INCH OLED TOUCHSCREEN

In addition to offering dial and button controls, the OM-D is the first Olympus camera to feature a tilting touch screen monitor for intuitive fingertip operation. The 3-inch OLED touch screen delivers high-resolution images of your subject with rich color reproduction. It also responds instantly to your touch with fast operation that makes it easy to focus on subjects, play back images, and adjust settings such as exposure and white balance.

LENSES AND ACCESSORIES

In addition to its new electronic motorized M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3 EZ lens with quiet, linear drive AF, the OM-D is supported by an ever-expanding range of wide-angle, macro, portrait, and telephoto Micro Four Thirds M.ZUIKO DIGITAL lenses. System accessories include cases, straps, filters, external flash units, and mount adapters for Four Thirds System lenses and OM System lenses.

Read more

Snow – Photographing Winter’s Majesty

The weekend’s precipitous frozen flurry presented a wondrous opportunity to capture the majesty of winter’s cloak. Armored in boots, cap and gloves, I marched into the white of Sunday morning’s golden light with my Nikon D-SLR and a spare battery, of course, warm and snug in the pocket of my Gortex jacket!

Strong diagonal rays and shadows accentuate a classic winter scene.
Winters Majesty
©Franklin Viola

IPTC Data: Nikon D2Xs, Nikon 12-24 at 12mm, ISO 200, f/8 at 1/125sec (Manual mode), Tripod

Emphasizing powder coating with ‘close-focus wide-angle’ imaging

Snowy Bench
©Franklin Viola

IPTC Data: Nikon D2Xs, Nikon 12-24 at 22mm, ISO 200, f/5.6 at 1/250sec (Manual mode)

Selective framing to contrast ‘icons’ of  hot and cold
Chimney - Icicles - Contrail
©Franklin Viola
IPTC Data: Nikon D2Xs, Nikon 24-120 at 105mm, ISO 200, f/8 at 1/320sec (Manual mode), Tripod
Have a question about winter photography? Please leave a comment, email, visit the store or visit our Winter shooting tips on our blog.

Nikon 200-400 VR AF-S lens rental now available

Recently on assignment in Panama, I used my Nikon 200-400 VR AF-S lens and Nikon D300 camera to capture this image of a Female Black-Chinned Hummingbird (Archilochus alexandri) drinking nectar from a Hibiscus flower.
Black-Chinned Hummingbird
©Franklin Viola

IPTC Data: Nikon D300, Nikon 200-400 VR AF-S f/4 at 400mm (effective 600mm on DX body), ISO 640, f/8 at 1/200sec, iTTL fill-flash with Nikon SB800 (EV-2.0), Tripod

Observing the tiny birds ‘routine flight path’ to specific flowers for over an hour, I pre-set focus in AF, then switched to Manual focus to ‘lock’ my composition. Using a Nikon wired shutter-release, Bogen carbon-fiber tripod and Wimberly gimbal-head, the 200-400mm never flinched even in my excitement as the ‘hummer’ flew into position. iTTL fill-flash from a Nikon SB800 (hand-held via SC17 cable) applied just the right  ‘stop-action’ to complement the gyrating wing-blur. This artificial ‘light’ also added color ‘pop’, an often under-used tool in outdoor photography!

Nikon’s 200-400mm VR f/4 AF-S lens works with all Nikon ‘full-frame’, as well as Nikon APS-size sensor (DX) D-SLRs. You too can ‘reach out’ with this lens through BCC’s rental department. Call 201.664.4113 or come by the Westwood store for more details.
Nikon 200-400 Lens