Welcome to our thirty-fourth Bergen County Camera Customer Spotlight. This monthly posting features a customer who’s made an impression on us. They might have grown in their understanding of photography, gained a mastery of the craft and / or have become a strong advocate of our way of doing business in the world of photography. During the next month you will see this customer’s images displayed on our digital signs in store, in our emails, blog posts and social media.
Michael Dinger is our customer spotlight for the month of July-August. We hope you both enjoy and are inspired by this new addition to In Focus and look forward to your comments and suggestions. Below you will find a few words from Michael and a gallery containing some of Michael’s images.
Each Spring, as the temperatures rise, songbirds return to their breeding ranges in North America. Many find their way to the Northeastern U.S. where birders and photographers alike flock to city parks to catch a glimpse of these colorful birds. While these locations make for easier sightings, they’re not always ideal for photography. The birds at these parks are merely stopping by to rest and forage before continuing their journey. They don’t sit still for long, and they seldom come down from the canopy. If they do, they usually visit a water source or feeder. Whatever it is they do, it’s also usually brief.
That is why you wants to find these birds in their preferred nesting habitat. Here, these birds are more consistent and active. Males lay claim to territory by singing from select perches to attract mates and thwart other males. When they hear an intruder, they investigate. When they see an intruder, they take action. They do all of this in a fairly confined area, where they’re movements and behaviors can become predictable to the observational birder. This is where I photograph them.
If you’d like to try your hand at songbird photography, why not do so with a little guidance. This Spring, join me, Matt Malwitz, for an in-the-field songbird photography workshop. This won’t be your typical “point and shoot” type of workshop either. I want to teach you a thing or two. During this outing, we’ll cover my process of find and photographing these birds. We’ll discuss how to find and identify songbirds, how to approach and move around wildlife, and different photographic techniques, all while photographing birds in the field.
Our goal will be to capture stunning images of two or three species, prioritizing quality shots over quantity of birds. We won’t get good looks at everything, and some birds are trickier than others, but that’s all part of the fun. As the saying goes, “if it were easy, everyone would do it”. So, why not give bird photography a chance.
Welcome to our thirty-third Bergen County Camera Customer Spotlight. This monthly posting features a customer who’s made an impression on us. They might have grown in their understanding of photography, gained a mastery of the craft and / or have become a strong advocate of our way of doing business in the world of photography. During the next month you will see this customer’s images displayed on our digital signs in store, in our emails, blog posts and social media.
Paige Dana is our customer spotlight for the month of February/March. We hope you both enjoy and are inspired by this new addition to In Focus and look forward to your comments and suggestions. Below you will find a few words from Paige and a gallery containing some of Paige’s images.
Join Paul Carretta and Bergen County Camera for the unveiling of our new Assignment. We promise this will be different from our usual assignments. Please register below for this free Webinar. Hope you can join us.
Skill Level: Beginner, Intermediate, Advanced
Step One: Watch the Assignment Video above and choose your assignment
Step Two: Register your assignment by February 19 by sending to email@example.com Be sure to include your name, assignment choice
Step Three: Get your photographs that best represent your assignment and email to firstname.lastname@example.org
Be sure to include your name, assignment description and your phone (Limit one)
Advanced Exposure Techniques with Canon – Intermediate Level
Enter the world of EOS and gain an advanced understanding of exposure. We will help you learn more about how your camera sees light and how that information is conveyed to you. Learn how to take advantage of that information to make intelligent exposure decisions. You will see many examples of great photography and learn techniques to improve how you use your camera as a creative tool.
During this class you will:
· Review the various methods your camera uses to meter your environment and leverage your camera’s light meter to take full control of your exposure.
· Understand what the histogram is really telling you, what affects its profile and how to use that information to properly expose your photo.
· Learn what “Expose To The Right”, or ETTR really means and how best to take advantage of it for your landscape, architecture, macro or product photography.
About our presenter Peter Lee
Peter has over a decade of experience working with Canon’s printers and imaging products before he joined the camera product educator team in 2013. As a Canon technical representative, he is a passionate teacher and enjoys interacting with everyone from full time professionals to beginners. He enjoys various genres of photography including: architecture, aerospace, landscape, portraiture, macro and sports.
Welcome to our thirty-second Bergen County Camera Customer Spotlight. This monthly posting features a customer who’s made an impression on us. They might have grown in their understanding of photography, gained a mastery of the craft and / or have become a strong advocate of our way of doing business in the world of photography. During the next month you will see this customer’s images displayed on our digital signs in store, in our emails, blog posts and social media.
John Gidney is our customer spotlight for the month of November. We hope you both enjoy and are inspired by this new addition to In Focus and look forward to your comments and suggestions. Below you will find a gallery containing some of John’s images.
Saturday September 24 at 9:30 am – Live only no replays
Landscape Basics: This class takes a look at Landscape Photography from a slightly different perspective. Gear, Lenses, and Filters are discussed before breaking into ideas such as capturing details, long exposure, adding people, times to shoot, black and white, and getting creative. We even discuss Lightpainting landscapes. The class closes with presentation ideas to make your images live on.
This class is for everyone, regardless of skill level, camera brand or type.
About Jeff Leimbach
Jeff is a professional photographer, graphic designer, Canon Product Educator, and KelbyOne Instructor. As an architectural photographer, Jeff photographs approximately 20 buildings and spaces a year throughout the US.
He has served as moderator for Photoshop World, Photoshop Seminar Tour for KelbyOne, and the Canon in Action Tour for Canon Live Learning. Other workshop experience includes staff instructor for Moose Peterson’s Digital Landscape Workshops and owner of The Digital Photo Workshops.
Whether on a backyard bird feeder or on the streets of Manhattan, you’ve likely seen a Sparrow. Many associate the term solely with the common nuisance species, the House Sparrow. These birds are known to nest in the eaves of homes. However, upon further inspection, one can start to note differences in the birds they simply call “Sparrow”. Nearly 50 species of Sparrow exist in North America. Of them, 19 can be spotted in New Jersey alone. Some are migratory, while others remain in the Garden State Year-round. Of the migratory species, one had caught my interest in recent years. The Grasshopper Sparrow.
About the Bird:
Introducing, the Grasshopper Sparrow. This is not your typical backyard bird. Instead, this sparrow is highly habitat specific. The Grasshopper Sparrow is a grassland bird, preferring patchy meadows with little to no shrub cover. This allows this species to freely move across the ground. You heard correctly; this bird is primarily a ground dweller. Here, they forage and prey upon insects and such. True to their name, these Sparrows do eat plenty of grasshoppers, though they will also eat beetles, spiders, caterpillars, and such. Surprisingly, their hankering for grasshoppers is not what earned them their name. In fact, it is the grasshopper like song they emit.
A buzzy trill, their song is much quieter than most common sparrows. It is also only when singing that these birds show themselves. From the top of a stalk, they make their presence known to rival males and potential mates. If all goes well, the singing male will attract a female and thwart intruding males. Then the nest making begins. Nests are located on the ground and usually consist of a mix of grass, hair and other fine materials. The nest is a typical bowl, though it is usually covered in a dome of dense vegetation, allowing access only from the side. Once completed, the nest can house about half a dozen eggs. Each egg is more important than the last as this species is in steep decline.
With an ever-shrinking habitat, the Grasshopper Sparrow is increasingly more difficult to find. Since the mid 20th century, its population has drastically declined. Populations have declined as much as 97 percent in New York State alone. This is mostly due to habitat loss. This is largely due to land development and vegetation succession. These occurrences lead to grasslands becoming smaller, fragmented and as a result, less favorable to the Grasshopper Sparrow. Luckily, this species responds positively to a number of human agricultural management activities such as scheduled mowing, grazing and controlled burns. The old practice of turning marshes into landfills has also had a surprisingly positive effect on grassland species. While detrimental to marshland species, most of these landfills were eventually isolated and capped. This created prime grassland habitat where species like Bobolink, Eastern Meadowlark and of course, the Grasshopper Sparrow could thrive once again.
How I Got the Shot:
With any wildlife photography, I recommend a starting lens no less than 300mm. A basic 70-300mm kit lens will suffice. That being said, if there’s one type of bird that pushes us to longer focal lengths, it’s songbirds. An APS-C, or “cropped”, sensor paired with such a zoom will provide some relief, though you’ll learn quickly if a longer lens is needed. I was shooting with a 500mm prime lens for most of my outings with these birds. I found this lens paired with a full frame DSLR just long enough to get the results I was after. I personally like some empty space in my images, but it’s a look that’s not for everyone. Someone equipped with a 600mm lens and an APS-C body would have gotten much closer results.
Next comes lighting. I always recommend shooting in the first hours of daylight or the last few with the sun either to my back or facing me directly. This varies on what effect I’m going for with my images. More often than not, you’ll want the sun on your back as it is in the image above. We call this shooting on “Sun-angle”. Shooting in these hours not only provides the most pleasing light, it also happens to be cooler, which in turn, makes for active wildlife. It’s also worth shooting when the sun isn’t visible at all. Overcast days provide soft, diffuse light that can be pleasing throughout the day. In fact, I prefer to shoot on these days for most other songbirds I photograph.
As this species prefers life on the ground, finding one in the open was quite the challenge. As luck would have it, this patch of grassland habitat harbored a number of singing males. This resulted in territorial skirmishes between neighboring birds. Once a male had successfully chased the intruder off, it would perch atop a grass stalk and sing. The height of the grass allowed me to crouch down and remain almost invisible from the height of the sparrow. As this is not a heavily visited location, the birds were not accustomed to human presence. I had to tread carefully. Once in position, I remained in the area for much of the evening. By sitting as still as possible, I managed to photograph three individual males.
As stated above, if there’s one time and place you want the longest lens possible, it’s here. Songbirds, especially these sparrows, are small and skittish. As stated above, I spent most of the shoot crouching along the fields edge to stay hidden. I also got low as to shoot from my subjects eye-level. Being at the same level as your subject is essential to engaging your audience. It’s scenarios like these where super-telephoto zooms are ideal. If the bird comes closer, you can always zoom out without moving and startling the bird. These lenses also tend to be lighter than their prime counterparts, although new mirrorless lenses as well as Nikon’s Phased Fresnel optics are narrowing the margin.
A major aspect I made sure to check before situating myself, was the backgrounds. I made sure to keep an eye out for bright objects in the distance. Any one distracting element can throw the whole composition off, and I try to avoid removing spots in post as much as possible. A wide aperture and the vast field ultimately made for a nice, smooth background. Remember, the farther away the background, the blurrier it will become. As long as you’re using a long lens, this occurs regardless of aperture.
Once I was set up, I could begin thinking about positioning the bird in the frame. If you’ve attended one of my focus sessions at BCC, you’ve heard me talk about the rule of thirds time and time again. This is for good reason. All too often I see images with the bird or animal smack dab in the middle of the frame. There is a time and place for this, but more often than not, it’s not ideal. By positioning the bird in the lower right third of this image, it gives a sense of space. The bird is singing into the emptiness of the frame, allowing the viewer to imagine what lies ahead. This empty space is often referred to as “dead” space. Learn to use it well, and you’ll be on the path to strong compositions. If you can’t do this in the heat of the moment, remember, you can always crop in post. The beauty of modern cameras is their resolution. You can crop with little to no image degradation. I would be lying if I said I nailed the composition in-camera every time. I crop most if not all of my images to some degree.
Lastly, always prioritize the well-being of your subject. Allow space for the birds to feed, sing, and go about their business uninterrupted. Don’t panic if you accidentally flush a bird. We’ve all done it. Learn from it and avoid doing so in the future. Where applicable, stay on designated trails and respect boundaries. Wildlife refuges and parks are riddled with trails and roads for authority and park staff use. Authorized personnel signs mean authorized personnel only. Do not enter. Where trails are narrow or simply do not exist, watch your step. Many animals, not just the Grasshopper Sparrow, nest on the ground and don’t shy away from leaving young on or near trails. Be careful, wear your sunscreen and insect repellent, but also have fun with it.
If you’re interested in learning more about my bird photography techniques and outings, click here for more. We will be adding in-the-field workshops to our website in the near future, so stay tuned. Sign up for our weekly newsletter for updates.