Grab Your Camera – Meteor Showers expected tonight 7/29!
Grab Your Camera – Meteor Showers expected tonight 7/29 – Good news for fans of astrophotography. There are two meteor showers scheduled to peak tonight (Tuesday, July 29, 2025) – so grab your camera and tripod and get ready!
When thinking of astrophotography, it’s important to think about your shooting location. Your photos will come out better if you find a place with dark sky, away from other bright lights. Be creative, and look for places with open landscapes, good vantage points, and clear skies that are accessible at night. The meteor shows are expected to peak after midnight on 7/29 (in the early morning hours of 7/30).
Get Your Camera Vacation Ready! – Get ready to capture summer memories. For many, taking a vacation means breaking out your camera and lenses. Is your gear as travel-ready as you? Make sure you’re comfortable with your camera before you leave – stop by and bring your camera and we’ll give you a refresher on your camera!
Read more to check out all of our tips to make sure your camera and gear are travel ready!
March 2025 Lunar Eclipse – We are expecting a total lunar eclipse this week—grab your camera and don’t miss this unique opportunity to practice your skills in lunar photography! Get your binoculars and telescopes ready for prime viewing! The lunar eclipse is expected to start at 11:57 PM on Thursday, peak just before 3:00 AM on Friday, March 14, 2025, and continue through 6:00 AM Friday morning.
This is the last total lunar eclipse until March 3, 2026, so don’t miss your chance to capture it! Hopefully the skies will be clear, providing optimal conditions for viewing and photographing the moon!
Ready to capture this celestial event in stunning detail?
Read on for tips to master the art of lunar photography and make the most of this incredible night!
Winter 2024 Customer Spotlight – Kevin Watson – We’re thrilled to feature Kevin Watson as our newest Customer Spotlight! Read more to learn about Kevin, his journey in photography, and to view a stunning collection of his wildlife images.
Partial Lunar Eclipse September 17-18 – We are expecting a harvest moon coinciding with a super moon, and a partial eclipse – grab your camera for a unique opportunity to practice your skills in lunar photography!
Welcome to our thirty-sixth Bergen County Camera Customer Spotlight. This seasonal posting features a customer who’s made an impression on us. They might have grown in their understanding of photography, gained a mastery of the craft and / or have become a strong advocate of our way of doing business in the world of photography. During the next few months you will see this customer’s images displayed on our digital signs in store, in our emails, blog posts and social media.
Tom Jolly is our customer spotlight for the 2024 Spring season. We hope you both enjoy and are inspired by this new addition to In Focus and look forward to your comments and suggestions. Below you will find a bit about Tom, and a gallery containing some of Tom’s images.
Photography has been an important part of my life since I can remember, starting with my first camera before I was 10. Growing up in Tennessee and Pittsburgh, I photographed family, friends and sports events, and then spent hours in the darkroom, thrilling at the sight of my images emerging in the dim light.
As time went on, though, my own photography gradually took a backseat to my career as a journalist, even as photography in the larger sense remained an important part of my job: I was Sports Editor at The New York Times and currently manage the team that designs and edits the newspaper.
But then around 2017, my daughter took up hockey. I started shooting her games and sharing the photos with the families of her teammates. They were appreciative, but I wanted to do better, so I started asking questions at Bergen County Camera, coming to the Focus Sessions on Saturday mornings, taking advantage of guest presentations there by the likes of Jean Fruth (backgrounds! shadows!) and Rick Gerrity (faces!) and learning from the many talented photographers who are regulars at BCC.
Early on, Paul Carretta said something to me that hit home: “The best way to get better is to keep shooting pictures.”
It occurred to me that sports events represent a programmed way of doing that since they’re scheduled, they feature fast action, competitive passion and fresh storylines. It’s no surprise given my daughter’s interest that hockey has turned into one of my favorite subjects – and I always keep John Currens’s guidance in mind: “Get the puck in the picture.”
Before long, I was getting requests to shoot all kinds of sports around the area. As those opportunities grew, I asked the former New York Times photographer Jose Lopez if he would critique my work and he has become a gracious mentor. Separately, my friend Ashok Ginde and I created a photography club that meets once a month at the Hillsdale Library. It’s a great opportunity to exchange ideas and inspire each other. (Let me know if you’re interested!)
In fact, in many ways, the community of photographers I’ve gotten to share a part in is as rewarding as the work itself.
That makes me all the more appreciative of Bergen County Camera for featuring my work here. If you’d like to see more of it, you can find me on Instagram @tom.jolly.photography and on my website at tomjollyphotography.com.
Each Spring, as the temperatures rise, songbirds return to their breeding ranges in North America. Many find their way to the Northeastern U.S. where birders and photographers alike flock to city parks to catch a glimpse of these colorful birds. While these locations make for easier sightings, they’re not always ideal for photography. The birds at these parks are merely stopping by to rest and forage before continuing their journey. They don’t sit still for long, and they seldom come down from the canopy. If they do, they usually visit a water source or feeder. Whatever it is they do, it’s also usually brief.
That is why you wants to find these birds in their preferred nesting habitat. Here, these birds are more consistent and active. Males lay claim to territory by singing from select perches to attract mates and thwart other males. When they hear an intruder, they investigate. When they see an intruder, they take action. They do all of this in a fairly confined area, where they’re movements and behaviors can become predictable to the observational birder. This is where I photograph them.
If you’d like to try your hand at songbird photography, why not do so with a little guidance. This Spring, join me, Matt Malwitz, for an in-the-field songbird photography workshop. This won’t be your typical “point and shoot” type of workshop either. I want to teach you a thing or two. During this outing, we’ll cover my process of find and photographing these birds. We’ll discuss how to find and identify songbirds, how to approach and move around wildlife, and different photographic techniques, all while photographing birds in the field.
Our goal will be to capture stunning images of two or three species, prioritizing quality shots over quantity of birds. We won’t get good looks at everything, and some birds are trickier than others, but that’s all part of the fun. As the saying goes, “if it were easy, everyone would do it”. So, why not give bird photography a chance.
Whether on a backyard bird feeder or on the streets of Manhattan, you’ve likely seen a Sparrow. Many associate the term solely with the common nuisance species, the House Sparrow. These birds are known to nest in the eaves of homes. However, upon further inspection, one can start to note differences in the birds they simply call “Sparrow”. Nearly 50 species of Sparrow exist in North America. Of them, 19 can be spotted in New Jersey alone. Some are migratory, while others remain in the Garden State Year-round. Of the migratory species, one had caught my interest in recent years. The Grasshopper Sparrow.
Introducing, the Grasshopper Sparrow. This is not your typical backyard bird. Instead, this sparrow is highly habitat specific. The Grasshopper Sparrow is a grassland bird, preferring patchy meadows with little to no shrub cover. This allows this species to freely move across the ground. You heard correctly; this bird is primarily a ground dweller. Here, they forage and prey upon insects and such. True to their name, these Sparrows do eat plenty of grasshoppers, though they will also eat beetles, spiders, caterpillars, and such. Surprisingly, their hankering for grasshoppers is not what earned them their name. In fact, it is the grasshopper like song they emit.
A buzzy trill, their song is much quieter than most common sparrows. It is also only when singing that these birds show themselves. From the top of a stalk, they make their presence known to rival males and potential mates. If all goes well, the singing male will attract a female and thwart intruding males. Then the nest making begins. Nests are located on the ground and usually consist of a mix of grass, hair and other fine materials. The nest is a typical bowl, though it is usually covered in a dome of dense vegetation, allowing access only from the side. Once completed, the nest can house about half a dozen eggs. Each egg is more important than the last as this species is in steep decline.
With an ever-shrinking habitat, the Grasshopper Sparrow is increasingly more difficult to find. Since the mid 20th century, its population has drastically declined. Populations have declined as much as 97 percent in New York State alone. This is mostly due to habitat loss. This is largely due to land development and vegetation succession. These occurrences lead to grasslands becoming smaller, fragmented and as a result, less favorable to the Grasshopper Sparrow. Luckily, this species responds positively to a number of human agricultural management activities such as scheduled mowing, grazing and controlled burns. The old practice of turning marshes into landfills has also had a surprisingly positive effect on grassland species. While detrimental to marshland species, most of these landfills were eventually isolated and capped. This created prime grassland habitat where species like Bobolink, Eastern Meadowlark and of course, the Grasshopper Sparrow could thrive once again.
Grasshopper Sparrow on Milkweed – Nikon D850, NIKKOR 500mm f/4G VR – f/4.0 – 1/4000 – ISO 800
How I Got the Shot:
With any wildlife photography, I recommend a starting lens no less than 300mm. A basic 70-300mm kit lens will suffice. That being said, if there’s one type of bird that pushes us to longer focal lengths, it’s songbirds. An APS-C, or “cropped”, sensor paired with such a zoom will provide some relief, though you’ll learn quickly if a longer lens is needed. I was shooting with a 500mm prime lens for most of my outings with these birds. I found this lens paired with a full frame DSLR just long enough to get the results I was after. I personally like some empty space in my images, but it’s a look that’s not for everyone. Someone equipped with a 600mm lens and an APS-C body would have gotten much closer results.
Next comes lighting. I always recommend shooting in the first hours of daylight or the last few with the sun either to my back or facing me directly. This varies on what effect I’m going for with my images. More often than not, you’ll want the sun on your back as it is in the image above. We call this shooting on “Sun-angle”. Shooting in these hours not only provides the most pleasing light, it also happens to be cooler, which in turn, makes for active wildlife. It’s also worth shooting when the sun isn’t visible at all. Overcast days provide soft, diffuse light that can be pleasing throughout the day. In fact, I prefer to shoot on these days for most other songbirds I photograph.
As this species prefers life on the ground, finding one in the open was quite the challenge. As luck would have it, this patch of grassland habitat harbored a number of singing males. This resulted in territorial skirmishes between neighboring birds. Once a male had successfully chased the intruder off, it would perch atop a grass stalk and sing. The height of the grass allowed me to crouch down and remain almost invisible from the height of the sparrow. As this is not a heavily visited location, the birds were not accustomed to human presence. I had to tread carefully. Once in position, I remained in the area for much of the evening. By sitting as still as possible, I managed to photograph three individual males.
As stated above, if there’s one time and place you want the longest lens possible, it’s here. Songbirds, especially these sparrows, are small and skittish. As stated above, I spent most of the shoot crouching along the fields edge to stay hidden. I also got low as to shoot from my subjects eye-level. Being at the same level as your subject is essential to engaging your audience. It’s scenarios like these where super-telephoto zooms are ideal. If the bird comes closer, you can always zoom out without moving and startling the bird. These lenses also tend to be lighter than their prime counterparts, although new mirrorless lenses as well as Nikon’s Phased Fresnel optics are narrowing the margin.
A major aspect I made sure to check before situating myself, was the backgrounds. I made sure to keep an eye out for bright objects in the distance. Any one distracting element can throw the whole composition off, and I try to avoid removing spots in post as much as possible. A wide aperture and the vast field ultimately made for a nice, smooth background. Remember, the farther away the background, the blurrier it will become. As long as you’re using a long lens, this occurs regardless of aperture.
Once I was set up, I could begin thinking about positioning the bird in the frame. If you’ve attended one of my focus sessions at BCC, you’ve heard me talk about the rule of thirds time and time again. This is for good reason. All too often I see images with the bird or animal smack dab in the middle of the frame. There is a time and place for this, but more often than not, it’s not ideal. By positioning the bird in the lower right third of this image, it gives a sense of space. The bird is singing into the emptiness of the frame, allowing the viewer to imagine what lies ahead. This empty space is often referred to as “dead” space. Learn to use it well, and you’ll be on the path to strong compositions. If you can’t do this in the heat of the moment, remember, you can always crop in post. The beauty of modern cameras is their resolution. You can crop with little to no image degradation. I would be lying if I said I nailed the composition in-camera every time. I crop most if not all of my images to some degree.
Lastly, always prioritize the well-being of your subject. Allow space for the birds to feed, sing, and go about their business uninterrupted. Don’t panic if you accidentally flush a bird. We’ve all done it. Learn from it and avoid doing so in the future. Where applicable, stay on designated trails and respect boundaries. Wildlife refuges and parks are riddled with trails and roads for authority and park staff use. Authorized personnel signs mean authorized personnel only. Do not enter. Where trails are narrow or simply do not exist, watch your step. Many animals, not just the Grasshopper Sparrow, nest on the ground and don’t shy away from leaving young on or near trails. Be careful, wear your sunscreen and insect repellent, but also have fun with it.
If you’re interested in learning more about my bird photography techniques and outings, click here for more. We will be adding in-the-field workshops to our website in the near future, so stay tuned. Sign up for our weekly newsletter for updates.
Due Date: Images emailed to focus@bergencountycamera.com by July 15th. Be sure to include you name and brief description of image
Follow the instructions, get your shot and submit to our email. We’ll have a online Focus Session on July 23rd to review and discuss all the submissions. Sign up for the July 23 review webinar – 9:30 am
Kari Bjorn uses his Tamron SP 24-70mm VC G2 to capture a most unique wedding ceremony in Gainesville. Please be sure to visit Kari’s website www.karibjorn.com for a look at his photography.
