Adobe Photoshop Camera Raw 7.3 update now available

For the full story take a look at the Adobe blog post explaining all the latest camera and lens profiles supported. Adobe recommends that you use the update mechanism inside Photoshop – “Help -> Updates”

Here’s the list of new cameras supported.

Canon EOS 6D
Canon PowerShot S110
Canon PowerShot G15
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Adobe Photoshop Camera Raw 7.1 Release Candidate

Adobe Labs has released Adobe Camera Raw version 7.1 RC on May 5th (release candidate – the final step before production and one step past beta) to accommodate several newer digital cameras and lens profiles. This is an Adobe Labs beta product so there can be some issues but for someone who’s just purchased a new camera without current Adobe Camera Raw support, you may want to give it a try. Rest assured though a full tested version will be released soon. If you’d like to try the beta software visit the Adobe Labs Camera Raw page for this download. Please feel free to offer you feedback on this beta product by using the link from the Adobe Labs Camera Raw page listed above. ACR 7.1 RC was recently released and will expire when the official version in released.

Here’s the list of newly supported cameras.

  • Canon EOS 1D X
  • Canon EOS 5D Mark III
  • Canon EOS 60Da
  • Canon PowerShot G1 X
  • Fuji FinePix F505EXR
  • Fuji FinePix F605EXR
  • Fuji FinePix F770EXR
  • Fuji FinePix F775EXR
  • Fuji FinePix HS30EXR
  • Fuji FinePix HS33EXR
  • Nikon D4
  • Nikon D800
  • Nikon D800E
  • Olympus OM-D E-M5
  • Panasonic Lumix DMC-GF5
  • Pentax K-01
  • RICOH LENS A16 24-85mm F3.5-5.5
  • Samsung NX20
  • Samsung NX210
  • Samsung NX1000
  • Sony Alpha NEX-VG20
  • Sony SLT-A57

Additional Lens Profiles added

Canon EF 35mm f/2 Canon
Tokina AT-X 107 AF DX Fish-Eye 10-17mm f/3.5-4.5 Canon
Nikon AF Micro-Nikkor 60mm f/2.8D Nikon
Nikon AF-S Micro Nikkor 60mm f/2.8G ED Nikon
Tokina AT-X 107 AF DX Fish-Eye 10-17mm f/3.5-4.5 Nikon

Adobe Camera Raw 6.7RC

Adobe Labs has released Adobe Camera Raw version 6.7 RC on March 5th (release candidate – the final step before production and one step past beta) to accommodate several newer digital cameras and lens profiles. This is an Adobe Labs beta product so there can be some issues but for someone who’s just purchased a new camera without current Adobe Camera Raw support, you may want to give it a try. Rest assured though a full tested version will be released soon. If you’d like to try the beta software visit the Adobe Labs Camera Raw page for this download. Please feel free to offer you feedback on this beta product by using the link from the Adobe Labs Camera Raw page listed above. ACR 6.7 RC was recently released and will expire when the official version in released.

*Note – Lightroom 4 ships with a brand new Camera Raw version 7 so there is no need to update Lightroom 4. ACR 7 will be available later in the year.

Here’s the list of newly supported cameras.

  • Canon EOS 1D X
  • Canon EOS 5D Mk III
  • Canon PowerShot G1 X
  • Canon PowerShot S100V
  • Fuji FinePix F505EXR
  • Fuji FinePix F605EXR
  • Fuji FinePix HS30EXR
  • Fuji FinePix HS33EXR
  • Fuji FinePix X-S1
  • Nikon D4
  • Nikon D800
  • Nikon D800E

Additional Lens Profiles added

Lens Mount Lens Name
Canon Tokina AT-X 124 AF PRO DX 12-24mm f/4 (IF)
Canon Tokina AT-X 124 AF PRO DX II 12-24mm f/4 (IF)
Canon Tokina AT-X 165 PRO DX 16-50mm f/2.8 (IF) ASPHERICAL
Canon Tokina AT-X 535 PRO DX  50-135mm f/2.8 (IF)
Canon Tokina AT-X M35 PRO DX 35mm f/2.8 Macro
Canon Tokina AT-X M100 AF PRO D 100mm f/2.8 Macro
Canon Tokina AT-X 116 PRO DX 11-16mm f/2.8
Nikon Tokina AT-X 124 AF PRO DX 12-24mm f/4 (IF)
Nikon Tokina AT-X 124 AF PRO DX II 12-24mm f/4 (IF)
Nikon Tokina AT-X 165 PRO DX 16-50mm f/2.8 (IF) ASPHERICAL
Nikon Tokina AT-X 535 PRO DX  50-135mm f/2.8 (IF)
Nikon Tokina AT-X M35 PRO DX 35mm f/2.8 Macro
Nikon Tokina AT-X M100 AF PRO D 100mm f/2.8 Macro
Nikon Tokina AT-X 116 PRO DX 11-16mm f/2.8
Nikon Nikon AF-S NIKKOR 85mm f/1.8G
Nikon Sigma 18-200mm F3.5-6.3 II DC OS HSM
Leica LEICA APO-SUMMICRON-M 75 mm f/2 ASPH.
Leica LEICA APO-SUMMICRON-M 90 mm f/2 ASPH.
Leica LEICA APO-TELYT-M 135 mm f/3.4 ASPH.
Leica LEICA ELMAR-M 24 mm f/3.8 ASPH.
Leica LEICA ELMARIT-M 28 mm f/2.8 ASPH.
Leica LEICA ELMARIT-M 90 mm f/2.8
Leica LEICA MACRO-ELMAR-M 90 mm f/4
Leica LEICA NOCTILUX-M 50 mm f/0.95 ASPH.
Leica LEICA SUMMARIT-M 35 mm f/2.5
Leica LEICA SUMMARIT-M 50 mm f/2.5
Leica LEICA SUMMARIT-M 75 mm f/2.5
Leica LEICA SUMMARIT-M 90 mm f/2.5
Leica LEICA SUMMICRON-M 28 mm f/2 ASPH.
Leica LEICA SUMMICRON-M 35 mm f/2 ASPH.
Leica LEICA SUMMICRON-M 50 mm f/2
Leica LEICA SUMMILUX-M 21 mm f/1.4 ASPH.
Leica LEICA SUMMILUX-M 24 mm f/1.4 ASPH.
Leica LEICA SUMMILUX-M 35 mm f/1.4 ASPH.
Leica LEICA SUMMILUX-M 50 mm f/1.4 ASPH.
Leica LEICA SUPER-ELMAR-M 18 mm f/3.8 ASPH.
Leica LEICA SUPER-ELMAR-M 21 mm f/3.4 ASPH.
Pentax Sigma 17-50mm F2.8 EX DC HSM
Pentax Sigma 50-200mm F4-5.6 DC HSM
Sony Tokina AT-X 116 PRO DX 11-16mm f/2.8
Sony Tamron 18-200mm F/3.5-6.3 Di III VC B011
Sony Sigma 17-50mm F2.8 EX DC HSM
Sony Sigma 50-200mm F4-5.6 DC HSM
Sigma Sigma 18-200mm F3.5-6.3 II DC OS HSM

 

Learn More – Sharpening in Photoshop

Historical Posting – Originally published in 2004 – Since this is an archived story – products mentioned may not be available or even made any more – Let us know if you have any questions.

Sharpening color images with Unsharp mask applies to the full version of Photoshop

Have you ever tried to sharpen an image and wound up with color fringing on high contrast lines in your image? Try this when sharpening images the next time: first make a copy of an image your want to experiment with. Instead of sharpening your image in RGB color first convert the image to Lab color {Image – Mode – Lab }. Next using the channel picker {Window – Show Channels} choose the lightness layer by clicking on it. The image on the screen will appear in grayscale since you are only looking at the lightness and darkness components of the image and none of the color information. Now click on the filter menu and choose { Sharpen – Unsharp Mask }. This is a visual decision but you may want to start by setting the filter to 150%, Radius 2, Threshold of 1, then click ok to apply the filter. Next go to the Channels pallet and choose click the Lab box in the channels pallet, the image will now appear in color. Finally convert the image back to RGB by { Image – Mode – RGB } If you’d like to compare the two methods, make a copy of the original image again apply the same amount of sharpening to the RGB copy of the image and compare the two side by side. What do you think?

Here’s why this trick works. When you sharpen an image in RGB you are essentially sharpening 3 different image layers or channels; red, green and blue. This means you are working with three-color images, color fringing occurs in areas where there is high contrast edges or transitions from color to color. In its worst case, this appears like a red, green and blue edge. Working in Lab color, the color information is separated from the light and dark tonal information that makes up the image. So when you sharpen the Lightness channel you are doing nothing with the color of the image and for this reason no color fringing is introduced into your image. Using this approach you will find that you can apply a great deal of sharpening without degrading the image. Good Luck!