Three New Sigma Lenses!
Three New Sigma Lenses! – Introducing Sigma’s ART 135mm F1.4 DG, ART 35mm F1.2 DG II, and CONTEMPORARY 20-200mm F3.5-6.3 DG lenses.
All three are coming soon from Sigma – Call us at (201) 664-4113 to pre-order yours today.
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Three New Sigma Lenses!
Sigma CONTEMPORARY 20-200mm F3.5-6.3 DG
An all-rounder that empowers limitless creativity.
The world’s first*1 10x zoom starting at an ultra-wide 20mm.
The Sigma 20-200mm F3.5-6.3 DG | Contemporary is the world’s first high-power zoom lens for full-frame mirrorless cameras that achieves both 20mm at the wide end and a 10x zoom ratio. This versatile zoom lens covers everything from ultra-wide 20mm to telephoto 200mm, allowing photographers to capture subjects ranging from sweeping landscapes to fast-paced sports without being constrained by distance. Its flexibility makes it ideal for a wide variety of scenes, including close-ups with a maximum magnification ratio of 1:2. With its broad expressive capabilities, the lens truly shines in travel photography and everyday snapshots.
The lens delivers a consistently comfortable shooting experience, with its thoroughly compact and lightweight design, as well as fast, accurate autofocus powered by a linear motor HLA (High-response Linear Actuator). The Sigma 20-200mm F3.5-6.3 DG | Contemporary is the ultimate all-in-one zoom lens, offering all photographers unprecedented freedom and creativity.
- *1 As of September 2025, by Sigma.
Key Features
The world’s first 20-200mm for unleashing creative freedom
Zoom versatility meets expressive ultra-wide 20mm ― in one lens. The lens covers the ultra-wide angle of 20mm, which has been difficult to achieve with conventional high-power zoom lenses. Handling everything from majestic landscapes to sports, the lens perfectly captures both scenes unique to ultra-wide angles and applications that take advantage of its telephoto range. With a comprehensive zoom range of 20mm to 200mm, this ultimate all-in-one zoom lens delivers stunning details across a wide variety of shooting situations.
Maximum magnification ratio of 1:2 at the focal lengths of 28-85mm. The lens achieves a maximum magnification ratio of 1:2 at the focal lengths from 28mm to 85mm, enabling photographers to enjoy a broad range of half-macro photography with different angles of view, from wide macro shots that boldly incorporate the background by moving closer to the subject, to medium telephoto macro shots that highlight the subject at a natural distance
Compact and lightweight design that delivers exceptional mobility
Thoroughly compact and lightweight design – This lens is the world’s first to achieve a vast zoom range from ultra-wide 20mm to telephoto 200mm, while weighing only 550g and measuring just 115.5mm in length*1. The zoom ring diameter is a very slim 70.4mm, making it highly portable. Without worrying about size or weight, the lens provides extensive creative flexibility in any situation, from everyday snapshots to travel photography.
- *1 The figures are for L-Mount.
Optical and mechanical design realizing both compact size and high performance – Incorporating high-refractive-index glass materials reduces lens movement during zooming. This enables a simple internal structure and slim lens body. The optical design, which properly positions four double-sided aspherical lenses, one FLD glass, and three SLD glass elements, combined with an internal mechanism that maintains high precision in each zoom group, also delivers high performance across the entire zoom range.
High-speed autofocus and versatile features for effortless shooting
HLA-driven high-speed AF – To help photographers capture even the most fleeting moments, the lens uses an HLA (High-response Linear Actuator) to achieve high-speed autofocus functionality with excellent drive accuracy.
Dust- and splash-resistant structure*1 and water- and oil-repellent coating – In addition to a dust- and splash-resistant structure, the front element of the
lens features a water- and oil-repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.
- *1 The structure is designed to be dust- and splash- resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable
Equipped with a zoom lock switch at the wide end – The lens features a zoom lock switch that can be fixed at the wide end to prevent the lens from extending unintentionally under its own weight. The lock can be released not only by the switch but also via zoom operation, allowing for flexible handling of even impromptu shooting.
Designed to minimize flare and ghosting – Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.
Sigma ART 35mm F1.2 DG II
Great made better: the exceptional resolving power and beautiful bokeh of Sigma’s world-leading 35mm F1.2 in a smaller, lighter body
In 2019, Sigma released the 35mm F1.2 DG DN | Art, the world’s first 35mm mirrorless camera lens with an F1.2 aperture. Six years later, Sigma is proud
to introduce its successor, the 35mm F1.2 DG II | Art. Designed and engineered with Sigma’s latest technology, the 35mm F1.2 DG II | Art offers not only improved optical performance, but also greatly enhanced portability thanks to a significant size reduction of approximately 30%. With its improved design, the lens delivers unparalleled rendering power, high-resolution clarity and large, beautiful bokeh in a more portable form. Focus breathing is also effectively minimized, ensuring outstanding results not only in still photography, but also when shooting video. The Sigma 35mm F1.2 DG II | Art is an exceptional, uncompromising lens that achieves the perfect balance of optical performance, brightness, compact size, light weight and ease of use.
Key Features
Unrivaled rendering power, beautiful bokeh and crystal clear images even at F1.2
Extreme suppression of chromatic aberration and sagittal coma flare – The Sigma 35mm F1.2 DG II | Art offers even better optical performance than
its predecessor, with brilliant clarity throughout the image, even at the fully open F1.2 aperture. The use of SLD glass, highly refractive glass with high anomalous dispersion, and four glass-molded double-sided aspherical elements thoroughly corrects axial chromatic aberration and sagittal coma flare, while significantly reducing the lens size.
Brilliant sharpness and the large, beautiful bokeh of an F1.2 aperture – In designing the 35mm F1.2 DG II | Art, Sigma paid special attention to
correcting the various optical aberrations that affect image quality. Thanks to these meticulous efforts, the lens delivers brilliant sharpness of the in-focus plane and beautiful bokeh that suppresses color bleeding and double line bokeh. Photographers will appreciate the rich, expressive rendering qualities and the beautiful interplay between the in-focus and out-of-focus areas, especially when shooting wide open at F1.2.
Designed to minimize focus breathing – Optimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. As a result, changes in field of view are effectively suppressed when the focusing distance is changed, making the lens an ideal choice for professional video use.
Designed to minimize flare and ghosting – Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.
Significantly reduced size and weight
Better performance, smaller size and lighter weight thanks to the floating focus system – The Sigma 35mm F1.2 DG II | Art achieves even better optical performance than its predecessor while being approximately 30% lighter and 20% shorter. A key factor behind this is the adoption of a floating focus design: by allowing the lens groups to move independently of each other, the weight of each lens group has been significantly reduced while simultaneously enhancing optical performance. Additionally, the improved optical design features four aspherical lens elements, high refractive index glass, and thinner lens elements, further contributing to its exceptional performance.
Fast and quiet autofocusing with dual HLA system – The dual HLA (High-response Linear Actuator) system drives each of the two
focus groups by an individual linear motor. In addition, the use of multiple magnets in each motor allows for a compact focus unit design without sacrificing high thrust. Compared to conventional cam-driven systems, the dual HLA system is not only significantly lighter, but also guarantees fast, reliable and quiet autofocusing.
Designed and engineered for professional use
A long-lasting, reliable tool for photographic expression – Manufactured and assembled in Aizu, Japan, using high-precision parts made of aluminum, TSC*1 and other materials, the 35mm F1.2 DG II | Art is a sophisticated and durable photographic tool designed according to Sigma’s Art line specifications.
- *1 TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It
- has a high affinity to metal parts, which contributes to high quality product manufacturing
A wealth of shooting assist functions – The lens features an AFL button that can be assigned a variety of functions on compatible cameras. In addition, the aperture ring can be locked with the dedicated lock switch and changed from clicked to declicked with the dedicated click switch
Dust- and splash-resistant structure*2 and water- and oil-repellent coating – In addition to a dust- and splash-resistant structure, the front element of the lens features a water- and oil-repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.
- *2 The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact
- with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable
Petal-type hood with locking mechanism – The Sigma 35mm F1.2 DG II | Art comes with a dedicated petal-type hood that shields the front element from stray light to reduce the chance of unwanted flare. The hood attaches securely to the lens with a locking mechanism.
Sigma ART 135mm F1.4 DG
Revolutionizing portraits with the world’s first*1 AF 135mm F1.4.
The Sigma 135mm F1.4 DG | Art is the world’s first 135mm autofocus lens to achieve a maximum aperture of F1.4, delivering exceptional expressive capabilities for portrait photography. Its unrivaled large bokeh and stunning resolution that renders every detail create an extraordinary sense of depth and dimensionality. The natural perspective and moderate shooting distance unique to 135mm, combined with the rich bokeh of the bright F1.4 aperture, make the subject stand out and render on an entirely different level compared to conventional 135mm F1.8 lenses. Built on extensive expertise gained from developing numerous F1.4 prime lenses, this new 135mm lens from Sigma sets a new standard in portrait photography.
- *1 As of September 2025, by Sigma
Key Features
Large bokeh for powerful visual expression
Unmatched large bokeh opens up new expressive possibilities – The most notable feature of the Sigma 135mm F1.4 DG | Art is its extremely large bokeh. The effective aperture diameter*1 of the 135mm F1.4 lens produces exceptional bokeh, which is larger than that of the Sigma 105mm F1.4 DG HSM | Art known as “Bokeh Master,” and is comparable to that of the Sigma 200mm F2 DG OS | Sports. The natural perspective unique to 135mm, together with its overwhelming bokeh, highlights the subject and creates dimensional portraits achievable only with this lens.
- *1 The effective aperture diameter is calculated by dividing the focal length by the F-number. It refers to the diameter of the light beam that forms an image at the center of the image sensor. A larger effective aperture results in a shallower depth of field and more pronounced bokeh.
Optical design optimized to produce the natural bokeh – Thorough correction of chromatic aberration, which is common in telephoto
lenses, achieves clear bokeh without color bleeding. The design also minimizes vignetting, rendering natural, near-circular bokeh even at the edges―fully utilizing the wide-open aperture.
Sigma’s craftsmanship behind the beautiful bokeh – A 13-blade diaphragm maintains a circular bokeh shape, while exceptional precision in aspherical lens processing further enhances its smoothness. This beautiful, natural bokeh is the result of Sigma’s know-how gained through development of F1.4 prime lenses over many years and the advanced manufacturing technology cultivated at its Aizu factory.
Large bokeh for powerful visual expression
Clear subject detail even at maximum aperture – Four large FLD glass elements are positioned, along with strategically placed high-dispersion glass elements to thoroughly suppress axial chromatic aberration, which tends to be more pronounced in large-aperture telephoto lenses. As a result, the lens delivers crisp subject detail even when shot wide open, making full use of the exceptionally shallow depth of field unique to a 135mm F1.4.
Floating focus system for consistent sharpness – A floating focus system moves the two focus lens groups independently, ensuring consistently high resolution across the entire focus range.
Designed to minimize flare and ghosting – Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology and Sigma’s Super Multi-Layer Coating. High backlight resistance enables clear and sharp images under any lighting conditions
Fast, accurate autofocus to capture fleeting expressions
Dual HLA for fast, precise autofocus – Each of the two focus groups is driven by its own HLA (High-response Linear Actuator), forming a dual HLA system. By incorporating two distinct types of HLAs, each optimized for the movement range of a focus group, the dual HLA system ensures both the high thrust needed for large-aperture telephoto lenses and fast, precise AF performance. This allows even fleeting expressions and fast-moving subjects to be captured with exceptional reliability.
A wealth of functions for professional use and excellent build quality
Various shooting assist functions – The lens is equipped with an AFL button in two locations, which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch and a click switch to turn the click on and off.
Dust- and splash-resistant structure*1 and water- and oil-repellent coating – In addition to a dust- and splash-resistant structure, the front element of the lens features a water- and oil-repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.
- *1 The structure is designed to be dust- and splash- resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
Excellent build quality of Sigma’s Art line specifications – Metal components such as aluminum and magnesium alloys are combined
with engineering plastics like TSC*2, strategically placed throughout the construction. This balances the durability required to support the optical system of a large-diameter lens with the lightweight design necessary for comfortable handling. The Art line offers remarkable rigidity, durability, and build quality for long term reliability as a tool of expression.
- *2 TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminium. It has a high affinity to metal parts, which contributes to high quality product manufacturing
Arca-Swiss compatible tripod socket for long studio shoots – The lens comes with a lightweight yet robust tripod socket made of magnesium alloy, compatible with Arca-Swiss clamps. It provides excellent stability during studio sessions and extended shooting, helping photographers stay focused on their creative expression. The tripod socket is also removable and can be replaced with the supplied protective cover.
Supplied hood with a button-type locking mechanism – The supplied hood is equipped with a button-type locking mechanism for secure attachment and removal. It is constructed from CFRP, a polycarbonate material reinforced with carbon fiber, making it both lightweight and durable.